The Life and Works of Yasujiro Ozu that featured interviews with Ozu's production crew and recurring actors, plus excerpts from newsreels, home movies, and clips from two dozen of Ozu's films. 12 December 1903–d. The films of Yasujiro Ozu exemplify the transcendental style in the East.

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"Ozu enjoyed a long career stretching from the silent era to the 1960s, but was considered too Japanese for Westerners to understand. by … Re-examining Yasujiro Ozu on film On the 50th anniversary of Yasujiro Ozu's death, we examine the iconic director's own thoughts on the filmmaking process. Ozu’s later, more refined style had been gradually percolating throughout the 1940s and Late Spring (Banshun, 1949) became the first and finest telling of a story Ozu was to remake, with variations, many times. . In his films this style is natural, indigenous, and commercially successful, largely because of the Japanese culture itself. Yasujiro Ozu (b.

The Only Son/There Was a Father: Two Films by Yasujiro Ozu Collector’s Set Quick Shop I Was Born, But .

Tokyo Story (東京物語, Tōkyō Monogatari) is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama.It tells the story of an aging couple who travel to Tokyo to visit their grown children.

Painting the Same Rose: An Exploration into the Cinematic Style of Yasujiro Ozu Shares His films are serene, melodic celebrations of nature and humanity that unfold slowly and realistically on-screen. 12 December 1963) was a Japanese film director. Ozu's cameraman Yuharu Atsuta shot the film, and his long-time production company Shochiku produced it.

Consequently, few of his films were exported - unlike the more dynamic pictures of Akira Kurosawa, for example.As he grew older, Ozu increasingly rejected Hollywood-style storytelling skills, relying on truth and beauty to prevail. The style, costumes and settings are resolutely modern and western, with the gangsters clad in trilbies and trench-coats. A young woman, (Setsuko Hara) who lives happily with her widowed father (Chishu Ryu), will not consider marriage, preferring her state of comfortable dependence to the responsibilities of … With his singular and unwavering style, Japanese director Yasujiro Ozu disregarded the established rules of cinema and created a visual language all his own. Introduction.

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