So, I'm just gon' sit on the dock of the bay Watchin' the tide roll away, ooh I'm sittin' on the dock of the bay Wastin' time. The Dock of the Bay reached number one on the UK A… more » He was only 26 years old. Photo taken at the Whisky A Go Go, 15 July 2014 at the presentation of the Otis Redding Gibson Art Guitar designed by Raphael. This song is more introspective and discusses an inner battle as opposed to having problems with a significant other. After appearing at the 1967 Monterey Pop Festival, he wrote and recorded "(Sittin' On) The Dock of the Bay" with Steve Cropper, which became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts after his death in a plane crash. Otis Redding finished recording "(Sittin' On) The Dock of the Bay" just days before the plane crash that took his life.

The song I chose to analyze lyrically is “(Sittin’ on) The Dock of a Bay.” The reason I chose this song is that it is unlike his many romantic and love-centered tracks.

The song was released just weeks after he was buried in Georgia, so it was widely heard as his epitaph. Otis Redding wrote "(Sittin’ On) The Dock of the Bay" 50 years ago while gazing at San Francisco bay, watching the tide roll away.

Looks like nothing's gonna change Everything still remains the same I can't do what ten people tell me to do So I guess I'll remain the same, listen. Longer Answer: Once upon a time, the greatest soul singer in the world wrote the greatest song the world would ever know. In many ways, it is still inextricable from his tragic death. (Sittin On ) The Dock Of The Bay - written by Otis Redding and Steve Cropper - lyrics as recorded by Otis Redding December 7, 1967, just three days before his death in a plane crash outside Madison, Wisconsin - #1 for 4 weeks in 1968 Sittin in the mornin sun Ill …

Raphael Saadiq relates the story behind the first movie script he ever wrote, which was inspired by "(Sittin' On) The Dock Of The Bay." “The whistle at the end of “(Sittin’ On) The Dock of the Bay,” belongs to longtime musician Sam “Bluzman” Taylor, who was brought in to finish the final overdubs.

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