Skip to main content. It is a treatise on the … some content may be lost due to the binding of the book. So begins Stan Brakhage's (1933-2003) classic Metaphors on Vision. — Stan Brakhage, Metaphors on Vision. Stan Brakhage’s Metaphors on Vision—first published in 1963 by Jonas Mekas as a fabulously special issue of Film Culture, designed by Fluxus forefather George Maciunas, bound in beautifully corrugated cardboard pierced with an eyehole, beyond whose vellum retina lurked Brakhage’s own eye (in negative) returning your gaze—is back. Stan Brakhage’s Metaphors on Vision —first published in 1963 by Jonas Mekas as a fabulously special issue of Film Culture, designed by Fluxus forefather George Maciunas, bound in beautifully corrugated cardboard pierced with an eyehole, beyond whose vellum retina lurked Brakhage’s own eye (in negative) returning your gaze—is back. First published in 1963, Stan Brakhage’s Metaphors on Vision remains one of the most challenging and inspiring artistic statements of avant-garde cinema by one of its most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. Publication date 1963 Topics Motion Pictures Publisher Film Culture Collection mediahistory; americana; nilesfilmmuseum Digitizing sponsor Media History Digital Library Contributor Niles Essanay Silent Film Museum Language English. Metaphors on vision by Brakhage, Stan. Stan Brakhage’s Metaphors on Vision SUN, Nov 19, 2017 4 pm Floor 3, Susan and John Hess Family Gallery and Theater First published in 1963 by Jonas Mekas as a special issue of Film Culture, Metaphors on Vision by Stan Brakhage (1933 -2003) stands as the major theoretical statement by one of American avant-garde cinema’s most influential figures. Notes. — Stan Brakhage, Metaphors on Vision Avant-garde cinema and modern poetry have long shared the same arable ground. First published in 1963 by Jonas Mekas as a special issue of Film Culture, it stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. So begins Stan Brakhage’s classic Metaphors on Vision. Eliot as to Eisenstein. Metaphors on Vision, published in 1963 by Stan Brakhage, establishes the ground for his film theory, and serves as a sort of guide for understanding the boldness of his cinema.

Brakhage’s film experiments not only disobey the conventions of cinema, but also seek to create a new, purer film language.

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